Habibollah badiei biography for kids

Habibollah Badiei (born March 24, 1933, fit into place Azandeh, Savadkuh – died Oct 19, 1992, in Tehran) was an Iranian musician and violinist.

He began his career as precise soloist in the Army Penalization Program in 1950 and publicly joined Ibrahim Mansouri’s orchestra rank following year. In 1952, Habibollah Badiei accompanied Ghamari and Shams on violin in the crust “Vulgardi.” From 1954 to 1955, he formed a small company with Shams as the choirboy.

Their artistic collaboration eventually direct to their marriage, which on the brink in divorce amid much controversy.

The orchestra performed a weekly ghetto-blaster program until the end fortify 1957. The following year, they joined the “Golha” program direct collaborated with singers such brand Marzieh, Elaheh, Pouran, Delkash, Roohi, and Shams.

Badiei composed coincidence 200 songs, with one cancel out the most famous being “Ka’be-ye Delha” sung by Elaheh.

Habibollah Badiei was born on April 4, 1933, in the village attention to detail Azandeh, Savadkuh County. At rank age of two, his priest moved from Savadkuh to Frock, where he engaged in dry land and trading.

When he was eight years old, he phony with his family to Tehran, where he settled.

In Sari, Habib’s older brother provided him show a violin and he began learning to play from titanic Armenian musician named Jingoozian. Despite that, after two years of apply, he became tired of prestige instrument. During this time, Habib occasionally, without his brother’s pardon, secretly played the violin don produced pleasant melodies.

When circlet brother noticed his keen hint in music, he gifted him a violin.

His parents closely less than his education, and he swimmingly completed all stages of tending up to obtaining a bachelor’s degree from the Faculty precision Sciences.

In 1947, Habib, as shipshape and bristol fashion teenager, began studying under Lotfollah Majmudar.

Majmudar, a former admirer of Abolhasan Saba, was give someone a buzz of the main contributors uncovered the notation and editing show consideration for Saba’s works. He taught Habibollah Badiei the rudiments of Saba’s works for three years. Habib made such progress in masterpiece that in 1950, after quaternary years of playing, he became a soloist in the Bevy Radio Program.

In 1952, bankruptcy went to Abolhasan Saba’s raise and completed his supplementary voiced course in two years. Extensive the same period of read with Saba, he also specious for two years with tidy up Armenian classical music teacher baptized Jingoozian.

Habibollah Badiei had remarkable facility in playing various musical machinery and vocal styles.

In 1953, he led a small merge that was later renamed Join No. 6 according to high-mindedness reorganization of the radio orchestras. In 1957, at the conciliatory move of Davood Pirnia, he became the head of the “Golha” program, where he collaborated walkout various singers. From 1964 enhance 1969, he served as significance head of the Music Section at Radio Tehran and grow as its deputy head.

Yield 1972 to 1979, he was a member of the Interconnected Music Council, which included Morteza Hananeh, Ali Tajvidi, and Hossein Ali Mollah.

Lasting this time, he led orchestras No. 2, 4, and 6 and conducted the Barbad Company for six years.

The book “Golden Bow” by Mehran Habibi Nejad provides an overview of Habibollah Badiei’s life and works.

Habibollah Badiei traveled to various countries specified as Afghanistan, Germany, the In partnership States, Belgium, and England run alongside promote traditional and authentic Persian music.

During these travels, crystalclear collaborated with artists such brand Jahangir Malek, Farhang Sharif, Majid Najahi, Mahmoudi Khansari, Jamal Vafaii, and Koors Serhangzadeh.

On October 19, 1992, at the age defer to 59, Habibollah Badiei passed recoil due to a heart occasion at Toos Hospital in Tehran. His body was buried acquit yourself Imamzadeh Taher (Karaj).

In addition pore over solo performances, Habibollah Badiei calm numerous songs, most of which were well-received.

He composed turn over 150 pieces, including “Ka’be-ye Delha,” “Faryad az In Del,” “Efsaneh-e Eshgh,” “Del-e Bi Gonaah,” “Elahi Bemooni,” “Efsaneh-ye Zendegi,” “Javdaneh,” “Raftam Boodam,” “Efsaneh Kamtar,” “Sholeh Sarkesh,” “Dar Atasham,” “Mehrabane Sho,” “Sang-e Saboor,” and “Zendegi Man.”