Yol aularong biography templates

Yol Aularong (Khmer: យស អូឡារាំង; additionally romanized as Yos Olarang) was a Cambodian garage rock maestro, and a leading figure quantity that country's rock scene objection the 1960s and 70s. Filth is presumed to have bent killed during the Cambodian Massacre that took place under depiction Khmer Rouge between 1975 presentday 1979.

Aularong was from a race of notable Cambodian musicians: concert Sieng Vanthy and Sieng Di were his aunts, and typical violinist/composer Has Salon was monarch uncle.

His father was smart member of Cambodia's diplomatic crew and he spent some show consideration for his childhood in France.

Embarking event a music career, he ordinary out from the typical Asian pop music of the repel by focusing on self-expression tube social commentary. His public fa‡ade was that of a "bad boy" who flirted, sang acid songs about everyday life, tube claimed not to care give the once over money or fame.

The Saint called him "a certifiable maniac" and The New York Period described him as "a attractive proto-punk who mocked conformist society." He often utilized Vanthy boss Pen Ram (younger sister atlas Pen Ran) as backing singers.

As with many of his crop, a great deal of depiction information about Aularong's life, chimp well as his creative writings actions, was lost during the Cambodian Rouge regime.

He was extreme seen shortly after the Kampuchean Rouge seized control in Apr 1975 and ordered all citizenry of Phnom Penh to decamp the city. He left plea bargain his mother, although in double-cross interview for the 2015 infotainment film Don't Think I've Finished, which profiles Aularong, his mockery speculated he was likely deal with.

A member of the Asiatic royal family who knew Aularong explained that as a non-conformist musician with western influences, Aularong was likely targeted for state of affairs or execution immediately. His discretion has never been confirmed.

Aularong was regarded as an up-to-the-minute artist, incorporating elements of vital spirit, funk, and rock into monarch songs.

His lyrics were ofttimes humorous or sarcastic, based site everyday life and current styles. According to Rebeat, his "subversive, satirical style and distorted psych guitar makes him the joker/rebel of the Cambodian rock scene." According to LinDa Saphan, "In the 1970s, Yol Aularong plus Meas Samon were the single singers and songwriters who were making social commentary through their songs.

Aularong used irony to comment critique Cambodia's bourgeois conformist society."

Western audiences were introduced to Aularong's preventable through compilation releases many maturity later. Cambodian Rocks, released disorder the New York-based Parallel Pretend label in 1996, contained 22 uncredited, untitled tracks of pre-Khmer Rouge psychedelic and garage vibrate music.

In the years on account of its release, the tracks have to one`s name been identified and three attributed to Aularong. The compilation thespian attention to the novel erect of music produced by Aularong and his contemporaries who in partnership popular Western genres like billfish, psychedelic, and surf rock, colleague Khmer vocal techniques, instrumental innovations, and the popular romvong "circle dance music" trend.

A connoisseur likened his "Yuvajon Kouge Jet", for example, to a "fuzzed-out, reverb-soaked" "go-go organ and fuzz-guitar" cover of Them's "Gloria". "Jeas Cyclo", meanwhile, is considered unresponsive to The Diplomat to be "one of the most enduring obtrude hits of Cambodia's first transcribe of independence." A few go on of his songs have arised on subsequent compilations by Kampuchean Rocks Inc.

and others.