Raimundas malasauskas biography

We are pleased come to get invite Raimundas Malasauskas, a administrator from Lithuania, to give grand talk.

Malasauskas worked as clever curator at the Contemporary Split up Center in Vilnius from 1994 to 2006, and has back number involved in many distinctive projects around the world. He was the curator of the Indigen Pavilion at the 59th Venezia Biennale (2022) and announced crown retreat from participation along walkout the artists due to Russia’s invasion of Ukraine.

He orthodox a Special Mention Award make his group exhibition in nobleness joint Lithuanian and Cypriot pavilions at the 55th Venice Biennale (2013). Koki Tanaka, who besides received a Special Mention Jackpot in the same year, longing be our interviewee and choice talk about his major projects in recent years, especially high-mindedness state of performance in curation.

Lecturer: Raimundas Malasauskas (curator)
Facilitator: Koki Tanaka (artist)

Date: Tuesday, November 12, 2024 18:30 – 20:00
Venue: Kyoto Sharp-witted Center Library
Capacity: 20 people
*No reluctance required, free of charge
*English-Japanese sequent interpretation

Raimundas Malasauskascuator

Raimundas Malašauskas has co-written an opera libretto (Cellar Doorstep by Loris Greaud, Palais second Tokyo, 2008), co-produced a force show (CAC TV, Vilnius, 2004 - 2006), served as exclude agent for dOCUMENTA (13), insecure Paper Exhibition, the book disbursement his selected writings (Sternberg Solicit advise, 2012), co-curated 9th Baltic Tercentennial of International Art (Vilnius, 2005), 9th Mercosul Biennal (Porto Alegre, 2013) and 9th Liverpool Biennale (2017), exhibited his childhood paintings in a choreographic composition unused Alix Eynaudi (2019.) His escalate recent projects are trust & confusion, an eight month spread out live art exhibition at Kadai Kwun Contemporary, Hong Kong (2021), 914, the Russian Pavilion beget the 59th Venice Biennale (closed) and Mars Returns, a 14 hour long event at Mykolas Zilinskas Gallery, Kaunas, Lithuania.

Not long ago he is working on sovereign second book of selected handbills to be released in 2024.

1994 - 2006 he stricken as a curator at Justness Contemporary Art Centre, Vilnius. Succeeding his departure from CAC Wilno he curated various projects worldwide: The Last Piece by Toilet Fare (gb agency, Paris, 2007), Paper Exhibition (Artists Space, Advanced York, 2009), Repetition Island, Heart Pompidou (2010), Into The Tumesce of a Dove (Museo Tamayo, Mexico City, 2010), Satellite Program 4 (Jeu de Paume, Town, 2011), oO, the Lithuanian stomach Cyprus pavilions at the Lii Venice Biennale (2013), Fusiform Structure (Lisson Gallery, London, 2013), Consultation Points 8 (Brussels, Beirut, Port, 2016 - 2017), On College (Monash University, Melbourne, 2017), Rosalind Nashashibi, a solo show repute Melly (Rotterdam, 2018).

etc.

Hypnotic Show has been jurisdiction longest-lasting project (from 2008 on), an exhibition that takes changeover through hypnosis. The Clifford Writer Show dealt with notions matching truth, identities and play — it lasted for 2 years: 2008 - 2010.

He cultured at California College of Veranda (San Francisco, 2008), Impulstanz Holiday (Vienna, 2015), HEAD (Geneve, 2017 - 2019), and Sandberg Institution (Amsterdam, 2011 - 2015).

He was born in Vilno, Lithuania.

Koki Tanakaartist

Through multiple ways, as well as films, and reflective writings, Tanaka engages in artistic practice stray rethinks the nature of collaborationism and community under the matter of “how to live together.” Recently, his practice has assiduous on the perspective of concern, especially childcare.
Tanaka has professed extensively, including at the Aichi Triennale 2019, Migros Museum (Zurich), Skulptur Projekte Münster 2017, rectitude 57th Venice Biennale 2017, careful the 55th Venice Biennale 2013.

He received a special speak for his national participation damage the 55th Venice Biennale come to terms with 2013 and was Deutsche Bank's "Artist of the Year" moniker 2015. Recent publications including Musing Notes: Recent Writings 2020, Unshielded Histories (An Archive) 2018 presentday Precarious Practice, 2015

Show Credits

Organized by: Kyoto Art Center, HAPS
Cooperation: Kyoto City University of Arts

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Inquiries

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